Carmody seems to be a representative in the early parts of the film, Jesus would be the once-for-all sacrifice which ended the sacrificial system. These two worldviews are not usually thought to be compatible for a fundamentalist Christian, of whom Mrs. However, her perspective shifts partway through the film, as she becomes obsessed with the idea of offering a sacrifice, an “expiation” that will lift the mist. (However, she reveals herself to be a rather poor student by referring to the book of “Revelations” in the plural, not the singular “Revelation” as it’s named in the Bible.) In this religious worldview, the mist is a sign of the coming of God, and everyone must repent and turn back to God in order to avoid an unpleasant judgment.

Her religion begins as a relatively standard form of dispensationalism, in which the mist is the beginning of the end times. Carmody (Marcia Gay Harden), who believes that the mist is a sign from God, and urges everyone to repent in increasingly strident speeches. Unfortunately, one of the other trapped individuals is Mrs. ( Spoilers ahead – but the statute of limitations on spoilers for the film should have run out by now, right?) The film version finds David (Thomas Jane) and his young son, Billy (Nathan Gamble), trapped in a supermarket. Trapped in the supermarket in Frank Darabont’s The Mist In either case, the results of staying in the mist too long are not pretty. In the series, the danger is less clear, as the mist seems to call up memories, regrets, and various other nastiness which are more specific to the individual’s fears. The dangers of the mist are clear in the film it harbors monstrous, carnivorous beasts. In both adaptations, a group of people are stranded as a mysterious mist envelops the surrounding area. But as a scholar of the Bible, I found myself intrigued by the religious viewpoints on display, which make for an interesting contrast with the film version. It departs wildly from the source material, reveals itself to be severely out of step with the national tone regarding sexual assault (especially given Harvey Weinstein’s uncomfortable presence as executive producer), and features far too many scenes of people standing around and talking. So why bother with a series? The answer isn’t all that clear, as the series stumbles around for ten episodes, never quite finding its footing. The Stephen King novel has already been adapted for the screen once, in Frank Darabont’s well-loved 2007 film. With the onslaught of Stephen King adaptations hitting movie screens and televisions this summer, headlined by It and Gerald’s Game, it’s easy to forget about the Spike television adaptation of The Mist.

Stephen king the mist netflix